All Thomas Cole 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
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Choice ID Image  Painting (From A to Z)       Details 
71567 Landscape with Dead Tree  Landscape with Dead Tree   Date 1828
22092 Landscape with Dead Tree (mk13)  Landscape with Dead Tree (mk13)   1828 Oil on canvas 26 1/2 x 32 1/2'' Museum of Art,Rhode Island School of Design,Providence Walter H.Kimball Fund
22087 Landscape with Figures A Scene from The Last of the Mohicans (mk13)  Landscape with Figures A Scene from The Last of the Mohicans (mk13)   1826 Oil on penel 26 x 43'' Berry-Hill Galleries New York
9878 Landscape1825  Landscape1825   Oil on canvas; Minneapolis Institute of Arts
45226 Landschaft  Landschaft   mk181 Komposition,der Heilige Johannes in der Wildnis 1827
45269 Landschaft mit Baumstumpfen  Landschaft mit Baumstumpfen   mk181 Landschaft mit Baumstumpfen 1827-28
69245 Moon and Firelight  Moon and Firelight   Medium oil on canvas Dimensions 91,4 x 122 cm
9916 Moonlight  Moonlight   Oil on canvas NY Historical Society,New York
9902 Morning Mist Rising  Morning Mist Rising   Plymouth, New Hampshirec.1830; Oil on canvas
9889 Mount Chocorua  Mount Chocorua   New Hampshire 1827Oil on panel 23 x 32.5 in
85292 Mount Chocorua, New Hampshire  Mount Chocorua, New Hampshire   Date 1827(1827) Medium Oil on canvas cjr
9946 Mount Etna  Mount Etna   1842 Oil on canvas
22118 Mount Etna (mk13)  Mount Etna (mk13)   1842 Oil on canvas 32 x 48'' Collection IBM Corporation Armonk,New York
9954 Mount Etna from Taormina  Mount Etna from Taormina   1843; Oil on canvas; Wadsworth Atheneum, Hartford, Connecticut
26156 Mount Etna from Taormina  Mount Etna from Taormina   mk48 1843 Oil on canvas 78 3/8x120 5/8in Wadsworth Atheneum Museum of Art,Hartford,Connecticut,Purchased from the artist by Daniel Wadsworth for the Wadsworth Atheneum,assisted by Alfred Smith
22127 Mount Etna from Taormina (mk13)  Mount Etna from Taormina (mk13)   1843 Oil on canvas, 78 5/8 x 120 5/8'' Wadsworth Atheneum,Harford
9971 Mountain Ford  Mountain Ford   1846Oil on canvas Metropolitan Museum of Art,NY
9885 Mountain Sunrise  Mountain Sunrise   Catskill 1826 Oil on panel 45 x 61 cm
86021 New England Scenery  New England Scenery   Date 1839(1839) Medium Oil on canvas cjr
3894 Niagara Falls  Niagara Falls  
9901 Niagara Falls  Niagara Falls   1830Oil on panel Art Institute of Chicago
56519 niagarafallen  niagarafallen   mk248 cburcb, en mastare pnoramaliknamde landskap, var coles elev ocb bar utfort nagra underbara bilder i den romasntiska traditionen av det forindustriella usa. hans niagarafallen at erger det spektakulara fallet med em typ iskt inspirerad ocb masterlig gestning av ljus, rtmd ocb vatten.
3898 Notch of White Mountins  Notch of White Mountins  
9969 Picnic  Picnic   1846 Oil on canvas; The Brooklyn Museum,NY
9937 Portage Falls on the Genesee  Portage Falls on the Genesee   1839 Oil on canvas; Historic Seward House,Auburn,NY
9974 Prometheus Bound  Prometheus Bound   1846Oil on canvas 64 x 96 in.
71982 Resti dell'acquedotto Marcio presso Tivoli  Resti dell'acquedotto Marcio presso Tivoli   Resti dell'acquedotto Marcio presso Tivoli 1832(1832)
9952 Roman Campagna  Roman Campagna   1843Oil on canvas Wadsworth Atheneum,Hartford Connecticut
22126 Roman Campagna (mk13)  Roman Campagna (mk13)   1843 Oil on canvas,32 1/2 x 48'' Wadsworth Atheneum,Hartford,Connecticut,Bequest of Mrs.Clara Hinton Gould
9911 Romantic Landscape with Ruined Tower  Romantic Landscape with Ruined Tower   1832 Oil on composition board Albany Institute of History and Art, NY
58398 Romantic landscape with Ruined Tower  Romantic landscape with Ruined Tower   Romantic landscape with Ruined Tower (1832-36)
69172 Romantic Landscape with Ruined Tower  Romantic Landscape with Ruined Tower   Medium oil on board Dimensions Unknown
70669 Romantic Landscape with Ruined Tower  Romantic Landscape with Ruined Tower   Medium Oil on canvas Dimensions 86.4 x 116.8 cm
70670 Romantic Landscape with Ruined Tower  Romantic Landscape with Ruined Tower   Medium oil on board Dimensions Unknown
9953 Ruins of Taormina  Ruins of Taormina   1842; Oil and pencil on board
23275 scene from Last of the Mohicans (nn03)  scene from Last of the Mohicans (nn03)   1827 Oil on canvas 64,.5 x 89 cm 25 3/8 x 35 1/16 in Wadsworth Atheneum Hartford CT
9913 Scene from Manfred  Scene from Manfred   1833Oil on canvas Yale University Art Gallery, New Haven, Connecticut
3899 Scene from The Last of the Mohicans  Scene from The Last of the Mohicans  
22089 Scene from The Last of the Mohicans Cora Kneeling at the Feet of Tamenund (mk13)  Scene from The Last of the Mohicans Cora Kneeling at the Feet of Tamenund (mk13)   1827 Oil on canvas 25 3/8 x 35 1/16'' Wadsworth Atheneum,Hartford,Connecticut Bequest of Daniel Wadswor
9936 Schroon Lake  Schroon Lake   1838 Oil on canvas; 34 x 46 in.
9929 Schroon Mountain  Schroon Mountain   Adirondacks,Essex County, New York after a Storm1838; Oil on canvas; Cleveland Museum of Art, Ohio
45270 Schroon Mountain Adirondacks  Schroon Mountain Adirondacks   mk181 Cleveland
22144 Schroon Mountain,Adirondacks (mk13)  Schroon Mountain,Adirondacks (mk13)   1838 Oil on canvas,39 3/8 x 63'' The Cleveland Museum of Art,Hinman B.Hurlbut collection
22116 Self-Portrait (mk13)  Self-Portrait (mk13)   c 1836.Oil on canvas, 22 x 18'' Courtesy The New-York Historical Society New York City
9920 Sketch for 'View from Mount Holyoke, Northampton,Massachusetts, after a Thunderstorm  Sketch for 'View from Mount Holyoke, Northampton,Massachusetts, after a Thunderstorm   1836; Oil and pencil composition board
9934 Sketch for Dream of Arcadia  Sketch for Dream of Arcadia   Oil on paper, laid down on canvas
45229 Skizze Fur Blick vom Munt Holyoke  Skizze Fur Blick vom Munt Holyoke   mk181 Northampton Massachusetts nach einem Gewitter
45230 Skizze fur Oxbow  Skizze fur Oxbow   mk181 1833 aus dem Skizzen buch
51393 Study for Dream of Arcadia  Study for Dream of Arcadia   mk218 1838 Oil on wood panel 22.2x36.8cm
72174 Study for The Cross and the World  Study for The Cross and the World   between 1846(1846) and 1847(1847) Oil on panel 30.1 X 46.2 cm (11.85 X 18.19 in)
73791 Study for The Cross and the World  Study for The Cross and the World   Date between 1846(1846) and 1847(1847) Medium Oil on panel Dimensions 30.1 X 46.2 cm (11.85 X 18.19 in) cyf
22134 Study for The Cross and the World:The Pilgrim of the Cross at the End of His Journey (mk13)  Study for The Cross and the World:The Pilgrim of the Cross at the End of His Journey (mk13)   c 1846-48 Oil on canvas 12 x 18'' National Museum of American Art,Smithsonian Institution,Washington,K.C.Museum Purchase
71488 Subsiding of the Waters of the Deluge  Subsiding of the Waters of the Deluge   Date 1829(1829) Medium Oil on canvas Dimensions 35 3/4 x 47 3/4 in. (90.8 x 121.4 cm)
9900 Subsiding Waters of the Deluge  Subsiding Waters of the Deluge   Oil on canvas; National Museum of American Art, Washington,
9884 Sunrise in the Catskill  Sunrise in the Catskill   Mountains 1826Oil on canvas National Gallery of Art, Washington
22090 Sunrise in the Catskill Mountains (mk13)  Sunrise in the Catskill Mountains (mk13)   1826 Oil on canvas 25 1/2 x 35 1/2'' National Gallery of Art,Washington,D.C Gift of Mrs.John D.Rockefeller 3rd in honor of the Fiftieth Anniversary of the National Gallery of Art
9928 Sunset of the Arno  Sunset of the Arno   1837 Oil on canvas
9958 Temple of Segesta with the Artist Sketching  Temple of Segesta with the Artist Sketching   1843 Oil on canvas; Museum of Fine Arts, Boston
22139 The Ages of Life:Youth (mk13)  The Ages of Life:Youth (mk13)   1842 Oil on canvas,134 x 194 cm Washington (DC),National Gallery of Art
62883 The Architect's Dream  The Architect's Dream   1840 Oil on canvas, 136 x 214 cm Museum of Art, Toledo, Ohio Cole called Turner the prince of evil spirits, and he sought a form of expression for his megalomanic visions that at first sight looks more peaceful. In this painting the excessive size of the capital, on which the architect has reclined in reflection, only becomes clear on closer inspection. However, the reversal of the real conditions is intrinsically threatening, and this is hardly more peaceful than Turner's chaos. Artist: COLE, Thomas Title: The Architect's Dream , painting Date: 1801-1850 American : other
44231 The Architect-s Dream  The Architect-s Dream   1840 Oil on canvas, 136 x 214 cm
96291 The Architects Dream  The Architects Dream   1840(1840) Medium oil on canvas cyf
88931 The Cascatelli  The Cascatelli   1832(1832) Medium Oil on canvas Dimensions 33.75 x 44.5 in (85.7 x 113 cm)
9910 The Cascatelli ivoli, Looking Towards Rome  The Cascatelli ivoli, Looking Towards Rome   1832Oil on canvas Columbus Museum of Art Ohio
22100 The Cascatelli,Tivoli,Kooking Towards Rome (mk13)  The Cascatelli,Tivoli,Kooking Towards Rome (mk13)   c 1832 Oil on canvas 32 3/4 x 44 1/2'' Columbus,Ohio,onloan from Mr.and Mrs Walter Knight Sturges
88467 The Clove Catskills  The Clove Catskills   1827(1827) Medium Oil on canvas cjr
9892 The Clove ws  The Clove ws   Catskills 1827Oil on canvas New Britain Museum of American Art,
22086 The Clove,Catskills (mk13)  The Clove,Catskills (mk13)   1827 Oil on canvas 25 x 36'' Collection New Britain Museum of American Art,New Britain,Connecticut,Charles F.Smith Fund
3891 The Connecticut River near Northampton  The Connecticut River near Northampton   1846
3893 The Consummation from the series : The Course of the Empire  The Consummation from the series : The Course of the Empire   1836
44237 The Consummation of the Empire  The Consummation of the Empire   1836 Oil on canvas, 130 x 193 cm
68907 the course of empire  the course of empire   desolation 1836 oil on canvas 98.1x158.1cm se
56213 the course of empire destruction  the course of empire destruction   mk247 1836,oil on canvas,39.25x63.5 in,100x161.2 cm,new york historical society,new york,ny,usa
22103 The Course of Empire: The Consummation of Empire (mk13)  The Course of Empire: The Consummation of Empire (mk13)   1836.Oil on canvas, 51 1/4 x 76'' Courtesy The New-York Historical Society New York City
22104 The Course of Empire:Desolation (mk13)  The Course of Empire:Desolation (mk13)   1836.Oil on canvas, 39 1/4 x 63 1/4'' Courtesy The New-York Historical Society,New York City
25717 The Course of Empire:Desolation (mk43)  The Course of Empire:Desolation (mk43)   1836
9975 The Cross and the World  The Cross and the World   Study for Two Youths Enter Upon a Polgrimage One to Cross, Other 1846Oil on canvas Edwin A. Ulrich Museum of Art, Wichita State University, Kansas
9976 The Cross and the World  The Cross and the World   Study for 'The Pilgrim of the Cross at the End of His Journey' 1846Oil on canvas National Museum of American Art, Washington,
9977 The Cross and the World  The Cross and the World   Study for 'The Pilgrim of the World on His Journehy' c.1846 Oil on canvas; Albany Institute of History and Art,NY
58401 The Departure  The Departure   The Departure (1837)
22106 The Departure (mk13)  The Departure (mk13)   1838.Oil on canvas, 39 1/2 x 63'' Iection the Corcoran Gallery of Art Washington,D.C Gift of William Wilson Corcoran
66247 The dream of the architect  The dream of the architect   Oil on canvas 1840
58399 The Garden of Eden  The Garden of Eden   The Garden of Eden (1828)
82182 The Garden of Eden  The Garden of Eden   The Garden of Eden, 1828, Oil on canvas Date 1828 cjr
85832 The Garden of Eden  The Garden of Eden   1828, Oil on canvas cyf
86501 The Garden of Eden  The Garden of Eden   1828, Oil on canvas cyf
9943 The Gardens of Van Rensselaer Manor House  The Gardens of Van Rensselaer Manor House   1840Oil on canvas Albany Institute of History and Art, New York
21454 The Giant's Chalice (mk09)  The Giant's Chalice (mk09)   1833 Oil on canvas,49.3 x 41 cm New York,The Metropolitan Museum of Art
33937 The Giant-s Chalice  The Giant-s Chalice   mk87 1833 Oil on canvas 49.3x41cm New York,The Metropolitan Museum of Art
22142 The Hunter's Returm (mk13)  The Hunter's Returm (mk13)   1845 Oil on canvas 40 1/8 x 60 1/2'' Amon Carter Museum,Fort Worth
3896 The Hunter's Return  The Hunter's Return  
3897 The Hunter's Return  The Hunter's Return   Notch of White Mountins
40691 The last of the Mohicans  The last of the Mohicans   mk156 1848 Oil on canvas 64.5x89cm
22137 The Mountain Ford (mk13)  The Mountain Ford (mk13)   1846 Oil on canvas 28 1/4 x 40 1/16'' The Metropolitan Museum of Art,New York,Bequest of Maria De Witt Jesup,1915
9938 The Notch of the White Mountains  The Notch of the White Mountains   1839Oil on canvas National Gallery of Art, Washington
22131 The Old Mill at Sunset (mk13)  The Old Mill at Sunset (mk13)   1845 Oil on canvas,26 1/8 x 36'' Alexander Gallery,New York
9919 The Oxbow  The Oxbow   1836 Oil on canvas; New York Historical Society, New York
58400 The Oxbow  The Oxbow   The Oxbow (The Connecticut River near Northampton) (1836)
9932 The Past  The Past   1838; Oil on canvas; Mead Art Museum Amherst College, Massachusetts
66243 The Past  The Past   Oil on canvas 40 1/2 x 61 1/2 in. 1838
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Thomas Cole
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.



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